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c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of Gerrit van Honthorst 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
95805 Adoration of the Child Gerrit van Honthorst Adoration of the Child circa 1620(1620) Medium oil on canvas cyf
2439 Adoration of the Shepherds Gerrit van Honthorst Adoration of the Shepherds 1622 Wallraf-Richartz Museum, Cologne
56053 adoration of the shepherds Gerrit van Honthorst adoration of the shepherds mk247 1622,oil on can vas 64x74 in,164x190 cm,wallraf richartz museum,cologne,germany
23993 Apolllo and Dianana (mk25) Gerrit van Honthorst Apolllo and Dianana (mk25) 1628
75543 At the Staatliche Museen Gerrit van Honthorst At the Staatliche Museen St Peter Released from Prison. At the Staatliche Museen, Berlin. Date 1616-1618 cyf
2441 Childhood of Christ Gerrit van Honthorst Childhood of Christ 1620 The Hermitage, St.Petersburg
43139 Christ Before the High Priest Gerrit van Honthorst Christ Before the High Priest mk170 circa 1617 Oil on canvas 272x183cm
79814 Concert Detail Gerrit van Honthorst Concert Detail between 1626(1626) and 1630(1630) Medium Oil on canvas cyf
79714 daughter of Frederik Hendrik Gerrit van Honthorst daughter of Frederik Hendrik 1647 Medium Oil on canvas Dimensions 302 x 194 cm (118.9 x 76.4 in) cyf
67313 den tvivlande thomas Gerrit van Honthorst den tvivlande thomas se
84324 Der verlorene Sohn Gerrit van Honthorst Der verlorene Sohn 1623 Medium Oil on canvas Dimensions 125 x 157 cm (49.2 x 61.8 in) cyf
79062 Friedrich Wilhelm Gerrit van Honthorst Friedrich Wilhelm 1647 Medium Oil on canvas Dimensions 302 x 194 cm (118.9 x 76.4 in) cyf
45662 Frobliche company Gerrit van Honthorst Frobliche company mk186 1622 Munchen, old Pinakothek
80168 Henrietta Catharina Gerrit van Honthorst Henrietta Catharina 1647(1647) Medium Oil on canvas Dimensions 263.5 x 347.5 cm (103.7 x 136.8 in) cyf
79540 Merry Fiddler Gerrit van Honthorst Merry Fiddler 1623 Medium Oil on canvas Dimensions 107.2 x 88.3 cm (42.2 x 34.8 in) cyf
83219 Portrait of Amelia van Solms Gerrit van Honthorst Portrait of Amelia van Solms 1630s Medium Oil on canvas Dimensions 73.4 x 60 cm (28.9 x 23.6 in) cyf
76742 Smiling Girl Gerrit van Honthorst Smiling Girl Date 1625 Medium Oil on canvas Dimensions 31 15/16 x 25 5/16 in. (81.2 x 64.3 cm) cyf
2437 The Concert Gerrit van Honthorst The Concert 1624 Musee du Louvre, Paris
2440 The Concert Gerrit van Honthorst The Concert 1625 Galleria Borghese, Rome
76760 The Concert Gerrit van Honthorst The Concert Oil on canvas, 168 cm x 178 cm cyf
20358 The Concert (mk05) Gerrit van Honthorst The Concert (mk05) Canvas,66 1/4 x 70''(168 x 178 cm).An overmantel from the Palace of Nordeinde,The Hague.From the collection of the Stadhouder,The Hague,1795 INV
76539 The Concert Detail Gerrit van Honthorst The Concert Detail 1626 - 1630 Medium Oil on canvas cyf
85589 The Denial of St Peter Gerrit van Honthorst The Denial of St Peter 1612-1620 Medium Oil on canvas Dimensions 150 x 197 cm (59.1 x 77.6 in) cyf
21721 The Incredulithy of St Thomas (mk08) Gerrit van Honthorst The Incredulithy of St Thomas (mk08) c.1620 Oil on canvas. 125x99cm Madrid,Museo del Prado
33689 The Incredulity of St Thomas Gerrit van Honthorst The Incredulity of St Thomas mk86 c.1620 Oil on canvas 125x99cm Madrid,Museo del Prado
95466 The Liberation of St Peter Gerrit van Honthorst The Liberation of St Peter between 1616(1616) and 1618(1618) Medium oil on canvas cyf
2438 The Merry Fiddler Gerrit van Honthorst The Merry Fiddler 1623 Rijksmuseum, Amsterdam
78855 The Merry Fiddler Gerrit van Honthorst The Merry Fiddler 1623 Medium Oil on canvas Dimensions 107.2 x 88.3 cm (42.2 x 34.8 in) cyf
2436 The Tooth Puller Gerrit van Honthorst The Tooth Puller 1628 Musee du Louvre, Paris
20356 The Tooth Puller (mk05) Gerrit van Honthorst The Tooth Puller (mk05) 1628 Canvas,51 1/4 x 73 1/4''(130 x 186 cm).Acquired in 1930
20955 Utrecht (mk05) Gerrit van Honthorst Utrecht (mk05) 1590-1656 Christ in the Carpenter's Shop ca 1620 (Inv No 5276)Oil on canvas 54 x 73''(137 x 185 cm)(Ex coll.P.P Durnoi,Leningrad 1925)
81788 Willem III op driejarige leeftijd in Romeins kostuum Gerrit van Honthorst Willem III op driejarige leeftijd in Romeins kostuum 1654(1654) Medium Oil on canvas Dimensions 116 x 93 cm (45.7 x 36.6 in) cyf

Gerrit van Honthorst
1590-1656 Dutch Gerrit Van Honthorst Galleries Gerard van Honthorst (November 4, 1592 - April 27, 1656), also known as Gerrit van Honthorst and Gherardo della Notte, was a Dutch painter of Utrecht. He was brought up at the school of Abraham Bloemaert, who exchanged the style of the Franckens for that of the pseudo-Italians at the beginning of the 16th century. Margareta Maria de Roodere and Her Parents by Gerrit van Honthorst (1652) Oil on canvas, 140 x 170 cm. Centraal Museum, UtrechtInfected thus early with a mania which came to be very general in the Netherlands, Honthorst went to Italy in 1616, where he copied the naturalism and eccentricities of Michelangelo da Caravaggio. Home again about 1620, after acquiring a considerable practice in Rome, he set up a school at Utrecht which flourished exceedingly. Together with his colleague Hendrick ter Brugghen, he represented the so-called Dutch Caravaggisti. In 1623 he was president of his gild at Utrecht, where he had married his cousin. He soon became so fashionable that Sir Dudley Carleton, then English envoy at The Hague, recommended his works to the earl of Arundel and Lord Dorchester. In 1626 he received a visit from Rubens, whom he painted as the honest man sought for and found by Diogenes. The queen of Bohemia, sister of Charles I of England and electress palatine, being in exile in the Netherlands, gave Honthorst her countenance and asked him to teach her children drawing; and Honthorst, thus approved and courted, became known to her brother Charles I, who invited him to England in 1628. There he painted several portraits, and a vast allegory, now at Hampton Court, of Charles and his queen as Diana and Apollo in the clouds receiving the duke of Buckingham as Mercury and guardian of the king of Bohemia's children. Charles I, whose taste was flattered alike by the energy of Rubens and the elegance of Van Dyck, was thus first captivated by the fanciful mediocrity of Honthorst, who though a poor executant had luckily for himself caught, as Lord Arundel said, much of the manner of Caravaggio's colouring, then so much esteemed at Rome.
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